Plugin Pirate

iZotope Ozone 4.01 RTAS/, VST, MAS, AU (Mac OSX)+[k]

2011-11-25T14:12:00.002+07:00

It's not finished until Ozone is on it.
The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. When you're ready to master, Ozone is all you need.
More info Here:
Code:

h**p://www.izotope.com/products/audio/ozone/1.) Install
2.) Open an app that used the plugin and the iZotope registration prompt will appear.
3.) Use challenge response option to register. Click next, and you'll get a challenge code.
4. Using a PPC with Tiger (OSX 10.4) and Virtual PC, or a PC or Intel Mac running Windows, start the keygen application.
5.) Type in your challenge code and it will give you the response.
6.) Back on your Mac, type in the response code, and you're all set.
Download Here:

h**p://rapidshare.com/files/192273375/outtheredudes.zip
Password: ozmosis

IK.Multimedia.T-RackS.3.Bundle.STANDALONE.VST.RTAS.v3.5.0

2011-11-25T14:04:00.004+07:00

IK.Multimedia.T-RackS.3.Bundle.STANDALONE.VST.RTAS.v3.5.0.x86.x64-ASSiGN
The new T-RackS 3 raises the bar again in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, full metering suite, an audio quality that is unmatched in software, and scores of new and unique features. All processors and metering module can be combined within the plug-in/standalone suite or are also available as individual plug-ins for more convenient mixing within your DAW, for a truly complete bundle of 12 superior sounding tools (10 individual plug-ins, plug-in suite, standalone suite).
Modular High-End Mastering/Mixing Suite of Dynamics and EQ processors, including:

* 9 processors comprised of 3 new analog and vintage emulations (including models based on the Fairchild 670 and the Pultec EQP-1A), 2 new digital processors as well the 4 classic, award-winning T-RackS processors
* New configurable mastering/mixing chain – run up to 12 parallel/series processors
* New complete built-in metering section with Peak, Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer with Peak, RMS and Averaging indicators
* New standalone and plug-in versions available in the same package for use in all the most popular native DAWs
* All module processors and metering are also available as individual plug-ins for more convenient mixing within your DAW
* New high-fidelity oversampling with crystal clear transparency, for high quality audio processing throughout the entire signal path
* New SCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date
* Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, “compare” function, multiple audio processing in standalone mode and much more

T-RackS 3 has all the tools you need to create superb, tube-toned or digital-tuned, mixes and masters. Its rich, warm sound combines new tube-modeled and state-of-the-art digital processors on top of its classic top-notch analog classics. A new modular chain gives you full control and easy navigation/compare features. A new complete metering section keeps all the most important variables of your sound under control. All processors can be used within the modular chain or in single instances for the most flexible processing available. A truly superior mastering and mixing system that will put a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task, and nothing sounds like T-RackS 3.

IK.Multimedia.T-RackS.3.Bundle.STANDALONE.VST.RTAS.v3.5.0.x86.x64-ASSiGN.rar (161 MB)
hoop://hotfile.com/dl/119709123/10655bc/IK.Multimedia.T-RackS.3.Bundle.STANDALONE.VST.RTAS.v3.5.0.x86.x64-ASSiGN.rar.html

iZotope.RX.Advanced.v2.2.DX.VST.RTAS

2011-11-25T13:56:00.002+07:00

iZotope 2 is the most complete audio repair toolkit on the market, enabling you to remove noise, hiss, buzz and hum, eliminate clicks and crackle, restore clipped audio, visually select and suppress unwanted sounds, resynthesize missing audio and much more.
RX 2 Advanced Highlights
* Adaptive mode in Denoiser to remove noise that changes over time
* Deconstruct, a new class of audio manipulation for control over noisy and tonal components of sound
* 3rd party plug-in support enabling any processing on spectrogram selections and in Compare and Batch Processing features
* iZotope 64-bit SRC™ for sample rate conversion, MBIT+™ for dithering and iZotope Radius® for changing time and pitch
* Time-stamped log creation, essential for forensics and archival documentation
* Spectral Repair multi-resolution mode for more accurate separation of noise and desired content
* Automatic Azimuth alignment and precise sub-sample control of delay for tape restoration.

iZotope.RX.Advanced.v2.2.DX.VST.RTAS-DYNAMiCS.rar (102.9 MB)
hoop://www.multiupload.com/JI8NCF71ZA

Arturia Synths Pack

2008-07-22T10:21:00.004+07:00

Arturia Arp 2600 v1.2 HYBRID iSO-AiRISO
The ARP 2600 is one of the finest analog synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds, heard in numerous popular tunes from Herbie Hancock to Stevie Wonder. With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music.

Arturia Minimoog V v1.6 VSTi RTAS AU HYBRID ISO -DYNAMiCS
From the starship funk lead lines of the 70’s, to the gangster whine of mid 90’s hip-hop, the ever present minimoog has been making its phat presence felt for over 3 decades. In partnership with Bob Moog, we decided to reproduce the legendary interface with the same look and feel than the original because of its particular "mood", and because many musicians wish to use the same interface they used in the past. But the reproduction of this synthesizer does not stop to the look and feel, we also recreated its inside characteristics…

Arturia Moog Modular V VSTi RTAS v2.2 HYBRID-AiRISO
Arturia, in partnership with Bob Moog, has made a faithful reproduction of one of the most famous series of synthesizers: Moog Modular. Whether recreating the abstract tonal qualities of the classic electronic soundtracks, or pushing forward the sonic boundaries of today, the Moog Modular V is the synthesizer of choice for sound exploration, anywhere, anytime. It has all the vibe and the fat sound of the original, cleverly combined with important contemporary features like polyphony, MIDI control, loading and saving of patches…

Arturia CS-80V v1.6 VSTi RTAS AU HYBRID ISO-DYNAMiCS
The CS-80V is the reproduction of the legendary Yamaha® CS-80, which was considered by many as the "ultimate polyphonic synthesizer", back in the late 70’s.
It has been popularized by artists and groups like Toto, Jean-Michel Jarre, Keith Emerson, Stevie Wonder, Vangelis, Ultravox, Peter Gabriel… to name a few, and they all helped to turn this synthesizer into a real myth.
More than twenty five years after its release, the time has come to rediscover a sound that has extensively contributed to the history of music...

Arturia Jupiter-8V VSTi v1.0 WIN READ NFO-NEMESiS

The Jupiter-8V is the newest addition to the family Arturia’s analog synthesizer recreations. Offering the unique sound palette of the Roland Jupiter 8, this virtual version is a sound designer’s dream.
Based on the latest version of TAE®, the Jupiter-8V also offers a host of modern features: an advanced step sequencer, a new line of dynamic effects, a module combining LFO’s (called Galaxy), and lots more…

NOTE: alot of people say this doesnt work properly, READ THE NFO BEFORE INSTALL

Arturia Analog Factory SE v1.2
Analog Factory is a powerful, yet extremely easy to use virtual instrument. Loaded with 3500 legendary sounds (instead of 2000 in the first version) carefully selected from the Arturia Classic Synths, Analog Factory provides the contemporary musician with a broad, versatile and instantly striking sonic palette. It is also a very versatile instrument: all sounds are dramatically modifiable, which makes this software stand apart from any sample-based collection of sounds.
NOTE: this may not work properly, some have said it only plays a few presets, if any

Arturia Arp 2600 v1.2 HYBRID iSO-AiRISO --- PC & MAC
Arturia Minimoog V v1.6 VSTi RTAS AU HYBRID ISO -DYNAMiCS --- PC & MAC
Arturia Moog Modular V VSTi RTAS v2.2 HYBRID-AiRISO --- PC & MAC
Arturia CS-80V v1.6 VSTi RTAS AU HYBRID ISO-DYNAMiCS --- PC & MAC
Arturia Jupiter-8V VSTi v1.0 WIN READ NFO-NEMESiS --- PC ONLY
Arturia Analog Factory SE v1.2 --- PC ONLY

Arturia Synths Pack
http://www.megaupload.com/?d=1GA7F8JG
password: audiopirate.blogspot.com

Lion Audio 1000 Drum Hits WAV SCD-AMPLiFYiSO

2008-07-22T10:19:00.001+07:00

Lion Audio 1000 Drum Hits WAV SCD - AMPLiFYiSO

This pack has been compiled to bring the utmost quality,
and only the most usable best samples have been included.
"Over 1,000 Individually mastered Drum Hits used by
Professional Producers all over the World" 242 Bass Kicks, 403 Snares, 224 Hi-Hats, Percussion, & hundreds of Cymbals, Claps, Specials, Exclusive Hits and many more!

Lion Audio 1000 Drum Hits WAV SCD-AMPLiFYiSO
http://www.megaupload.com/?d=NXD8WEKT
password: audiopirate.blogspot.com

Portable Native Instruments ELEKTRIK Piano 1.5

2008-07-22T10:17:00.001+07:00

Portable Native Instruments ELEKTRIK Piano 1.5

Features:
* One instrument offering the sound of four legendary e-pianos
* Reproduces the sounds of the of the Fender Rhodes MK1™, Fender Rhodes MK2™, Hohner Clavinet E7™, Wurlitzer A 200™
* Vintage-style look and feel* Full and powerful sound
* First-class presets for each of the four instruments
* Especially intuitive control surface for uncomplicated live and studio use
* 4 multi-function knobs for phaser, chorus, tremolo, reverb - depending on preset
* Assignable preset buttons for fast sound changes
* Based on Native Instruments’ high-performance sample engine
* Intensive multi-sampling with velocity and release samples for a truly authentic sound
* Individual velocity curves for use with every kind of MIDI keyboard

System Requirements Mac:
* Requires 2 GB free hard disk space* Minimum: Mac OS 10.2.6 or higher, G4 867 MHz, 512 MB RAM* Recommended: Mac OS 10.2.6 or higher, G4 1.2 GHz, 1 GB RAM

System Requirements PC:
* Requires 2 GB free hard disk space* Minimum: Windows XP, Pentium III/ Athlon 800 MHz, 512 MB RAM* Recommended: Windows XP, Pentium III/ Athlon 1.2 MHz, 1 GB RAM

Portable Native Instruments Akoustik Piano 1.5 34.25 Mb

do note this is a portable version (can run from usb drive)
*...has no library files...its the silent version....were looking into this
link: http://www.megaupload.com/?d=S1J51S9C

password: audiopirate.blogspot.com

EZDrummer VSTi + Drumkit From HellMay

2008-07-22T10:15:00.001+07:00

dfh EZdrummer™ is a multi-microphone drum sampler designed for musicians and producers in need of a compact, affordable, easy to handle plug-in without compromising sound quality or control. The visualized drums in the interface combines auditioning of sounds and drumkit construction. The extensive drag and drop midi-library (featuring 8000+ midifiles) enables users to create a great drumtrack in just a few clicks. For more advanced handling, users can control microphone bleeding and levels between drums using the internal mixer.

Drumkit From Hell EZXDrumkit From Hell aka DFH was originally created to address Toontrack Music´s own needs for better and heavier drums in musicproduction. As a result the Toontrack productionteam decided to record a drumlibrary with the best musicians and producers available in Swedish heavy metal.

includes updates..

mac and pc

Link: http://www.megaupload.com/?d=DAIYEFPH

Pass: audiopirate.blogspot.com

103 eBooks On Music Production

2008-07-22T00:07:00.001+07:00

103 eBooks On Music Production

Contains PDF, TXT & HTM files

15 Reverb Tips From Intermusic.com PDF
20 Tips On Audio Recording With Computer Sequencers TXT
20 Tips On Creating Realistic Sequenced Drum Parts TXT
20 Tips On Mastering By Paul White HTM
23 Compression Tips From Intermusic.com PDF
A List Of FX And Filters And What They Do From Namn PDF
Advanced Compression Techniques By Paul White HTM
Advanced Reverb By Paul White HTM
An Introduction to Mastering By Stephen J. Baldassarre HTM
CD Mastering On Your PC Tools & Techniques By Martin Walker
Complete Guide to Drum Programming By Ray F Badness PDF
Compression & Dynamics Processing Notes From Multimedian.com
Compression In Audio Recordings from The Audio Pages HTM
Compression Tips & Tricks From Hutch's Hints at Waves.com HT
Compressor Secrets By David Mellor TXT
Craig Anderton`s 10 Tips For Guitar MultiEffects HTM
Craig Anderton`s Putting Your Effects In Order HTM
Cubase Group Channels By Star HTM
Cubase Tips - Arrange To Perfection From Intermusic.com PDF
Cubase Tips - Tooled Up From Intermusic.com PDF
Effective Drum Programming By Nicholas Rowland HTM
EQ By The Octave By Robert Dennis HTM
EQ Explained By David Mellor HTM
EQ Masterclass From Intermusic.com PDF
EQ Tips from The Recording Website HTM
Equalisation Tips By Paul White HTM
Gating Drums By Stacey T. Heydon TXT
Getting More Bass In Your Mix By Paul White HTM
Giving Your Recordings A Produced Sound By Paul White TXT
Guide To Gating From Intermusic.com PDF
Guitar Miking - Musician's Friend Article HTM
Rane Professional Audio Reference PDF
Reccomended Equalisation Frequencies By Robert Dennis HTM
Recording In One Room By Hugh Robjohns HTM
Recording Techniques By Robert Dennis HTM
Recording Vocals From Intermusic.com PDF
Reverb Basics By Hugh Robjohns HTM
Reverb For Beginners - No Author DOC
Roland - Beginners Guide To Mixing PDF
Roland Drum Machine Rhythm Dictionary PDF
Run Your Own Record Label From Intermusic.com PDF
Sample CD Copyrights From Intermusic.com PDF
Soundcard Recording FAQ's Answered By Martin Walker TXT
Studio Miking By Lyle Caldwell HTM
Studio Sessions Part 1 - Delays From Intermusic.com PDF
Studio Sessions Part 2 - Reverb From Intermusic.com PDF
Synth Programming Guide By Intermusic.com PDF
Tascam - Optimizing W2k + XP For Audio PDF
The Art Of EQ By Aaron Trumm PDF
The Art Of Equalisation By Ethan Winer HTM
The Basics Of Quantising By Martin Walker TXT
The Big Squeeze - Compressors And How To Use Them By Paul Wh
The Complete Idiots Guide To Songwriting - Joel Hirschhorn P
The Design of an Audio Frequency Vacuum Tube Amplifier - The
The In's & Out's Of Gain Structure By Martin Walker HTM
The Mysteries Of Metering By Paul White HTM
The Perfect Mix By Rich TXT
The Real Vocal Book PDF
The Shure Microphone Techniques For Music Sound Reinforcemen
The World Of PC Recording By Dave Casey Of TASCAM PDF
TSC Tech Talk - EQ Tips By Devin DeVore HTM
Ultimate Midi Guide From Intermusic.com PDF
Using Compression In Audio Recordings From The Audio Pages H
Using EQ - More EQ Tips By Paul White & Mike Senior HTM
Various Sampling Theory PDF's
What The Hell Is Mixing By Nigel Lord TXT
Wizoo Cubase Sx Mixing And Mastering Sample Chapter PDF
XP Audio PC Tweaks By PC Audiolabs HTM
Audio CD Mastering by Audiographics Unlimited & John Scrip H
Berklee College - Course On Arranging PDF
Berklee College - Music Production & Engineering - PDF
Cubase SX 2 Project E-Book + Tutorial Files & SX2 Tips & Tri
Cubase SX PDF's
How to Achieve Depth & Dimension in Recording, Mixing and Ma
How To Get Great Bottom End In Your Mix By Michael Cooper HT
How To Improve Your Stereo Mixing By Paul White HTM
How To Mix A Pop Song From Scratch By Jezar - Ver 2.0 PDF
How To Set Up A Good Mix By Duke Ashton HTM
Increasing Loudness In Dance Music Production By Paul White
Integrating Mixing & Signal Processing By Craig Anderton HTM
Killer Drums By Michael Laskow TXT
KLF - The Manual - How To Have A Number 1 The Easy Way PDF
Make The Most Of Microphones From Intermusic.com PDF
Mic Placement on Drums From The SAE College Germany PDF
Microphones - Methods Of Operation & Type Examples By Gerhar
Miking Drums By Staff Members of Midi Warehouse HTM
Miking Jazz Drums By Gary Baldassari PDF
Miking Live Drums By Gordy Gale HTM
Miking Techniques By Barry Rudolph PDF
Mixing Programmed & Real Instruments Successfully By Sam Ing
More Than You Ever Wanted To Know About Phasers by Fred Ridd
Native Instruments Sampling & Re-Synthesis PDF
Paul White Recording Guitar, Acoustic Guitar and Bass Guitar
Phase Relationships By Ken Lanyon HTM
Practical Studio Soundproofing By Paul White HTM
Programming Analogue Synths An Access Virus Tutorial By Howa
Pros Guide To Compression From Intermusic.com PDF
Cubase SX Power! By Robert Guerin PDF
Home Recording Made Easy By Paul White PDF
Introduction to Digital Audio Signal Processing By Davide Ro
Pro Enginner School Vol. 1 + 2 By Record-Producer.com PDF
Quick Guide To Dance Music By Ian Waugh PDF

.....RE-UP..... once again!!!
http://rapidshare.com/files/99897821/103_eBooks.rar
password: audiopirate.blogspot.com

Roger Nichols Digital Pack VST RTAS-AiR

2008-07-22T00:04:00.001+07:00

Roger.Nichols.Digital.DETAILER.VST.RTAS.v1.2-AiR.rar

Roger Nichols Proprietary Mastering Tool
Come into the Mix

Detailer is a stereo mastering process developed by Roger Nichols and used in countless hit records. Detailer offers a new way of increasing the perception of "detail" in the mid level of a final mix while still allowing increased loudness. The process involves a combination of three-band limiting and dynamic widening using psycho-acoustic processing. Roger Nichols has fine tuned the process to produce the most effective result with the least amount of adjustment.
Three is better than one

Detailer splits the incoming signal into three frequency bands that are each processed independently. Great care has been taken to eliminate phase shifts at the crossover points, a common problem with multi band plug-ins. Once the signal processing is complete, the three bands are recombined into a full frequency band signal.
Dynamic widening without the mud

Detailer uses spectral harmonic detection and intelligent parameter adjustment to apply its innovative dynamic-widening processes only where and when it is useful.
Make it loud, please

Using the advanced limiting algorithms from our highly acclaimed Finis plug-in ensures maximum audio levels - if that is needed - while preserving audio dynamics. Using Detailer along with Dynam-izer will give you the loudest mixes on the planet, and leave your dynamics intact.
What you see is what you get

A comprehensive set of meters lets you adjust Detailer settings to perfectly match the specific characteristics of your audio signals.
Version 1.2 Update

* RND Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.

DETAILER-System Requiremements
* Windows XP and Vista 32
* Requires VST, AU, or RTAS host

Roger.Nichols.Digital.DYNAM-IZER.VST.RTAS.v1.2-AiR.rar

The Fundamentally New Dynamics Processing Tool in Decades
Get In The Zone

Don't get confused - this is not multi-band compression. DYNAM-IZER is an entirely different beast. Why always apply the same compression to all audio levels? Compress the louder levels with a quick attack; expand the lower levels with a slow release and leave the mid level sounds alone. Try it with a traditional compressor - you won't get far. DYNAM-IZER lets you break your audio levels up into "zones" so you can control them exactly how you want. No one size fits all compression here.
What Are You Looking At?

Thought you knew compression? Think again. DYNAM-IZER lets you visualize compression in a way you've never seen before (no transfer curves here). Just like a graphic equalizer provides valuable information for your equalization efforts, so does DYNAM-IZER provide critical info for your compression efforts. No more shooting in the dark - just the info you need for total control.
That's The Key

Left channel, right channel, both or side chain - DYNAM-IZER let's you choose the audio that will trigger its compression. Like it fast and hard or slow and smooth? You choose: select from Peak or RMS analysis of your key to get the results you want. And once you've got that nailed, get busy with the three available filters (7 filter types to choose from) to tweak your key audio to meet your needs. Whether you're ducking, de-essing or trying something new, DYNAM-IZER's key has you covered.
Features, Features, Everywhere

DYNAM-IZER's compression meters indicate how your attack and release are affecting the compression. Cloud meters show you where your audio levels are concentrated. There's even a built-in "Auto-Limiter" for those times when you want to ensure your audio doesn't go in the red. Automatic gain compensation, look-ahead, and more. Click here to see the Full Feature List!
What you see is what you get

A comprehensive set of meters lets you adjust Dynam-izer settings to perfectly match the specific characteristics of your audio signals.
Version 1.2 Update

* RND Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.
* Dynam-izer now comes in two flavors. The brushed aluminum look, was updated with orange buttons, sliders and arrows to improve the visibility of important control points. An "elemental blue" color scheme is now also available. This choice was not only made available to satisfy customers preferences in color schemes, but when running several instances of Frequal-izer it can help to better distinguish which one belongs to which track.

DYNAM-IZER-System Requiremements
* Windows XP and Vista 32
* Requires VST, AU, or RTAS host

Roger.Nichols.Digital.FINIS.VST.RTAS.v1.2-AiR.rar

Brick-wall Limiting & Loudness Maximization

We all know that unplanned digital distortion is bad news. Use Finis to control your audio levels and prevent distortion from rearing its ugly head. And when you need to give your audio more edge, Finis helps you maximize your audio's loudness. Even at extreme settings, Finis can control levels without audible distortion. Whether you just need to catch an occasional over or to increase the average level of your audio, Finis offers a flexible solution.
Psycho

Finis employs psycho acoustic limiting algorithms that analyze several aspects of your audio and, considering the way humans perceive volume levels, intelligently adjusts your audio levels to keep them under the maximum you have specified. To most effectively control your levels, Finis looks ahead of your audio, watching for any peaks that would exceed the maximum output level. It quickly decreases the level to bring the peak under the maximum, preventing distortion from occurring. Because Finis is a brick wall peak limiter, it will never allow the audio to exceed the maximum output level you have specified. Click here to see the Full Feature List!
Get Three for the Price of One

You want more control over the way a limiter behaves or "sounds". After all, the same limiting style doesn't fit every purpose. That's why Finis provides three distinct limiting algorithms - so that you can tweak the plug-ins limiting style to meet your needs. But Finis offers choice without complexity. You only need to interact with two primary controls to get the response you want. Using Finis is simple - in many cases it can just be activated, a few small adjustments to the Release or Reaction controls and it is done.
Peak, and RMS, and Crest Factor, Oh My!

What is a limiter without proper metering? Finis gives you all the metering you need to get the most from your limiting. To make sure that you don't lose sight of any aspect of your audio levels, Finis introduces an integrated Peak, RMS, and Peak hold meter. What's more, because limiting affects audio dynamics, Finis includes an innovative new Crest Factor meter. This meter ensures you don't kill your audio dynamics. Unless of course, that's the goal.
The World Of Limiting Just Got Brighter

Finis employs the most advanced psycho acoustic algorithms we know of. Great Tools don't need to have complicated user interfaces.

FINIS-System Requirement
* Windows XP and Vista
* Requires VST, AU or RTAS host

Roger.Nichols.Digital.FREQUAL-IZER.VST.RTAS.v1.2-AiR.rar

Linear Phase Mastering EQ & Matchmaker

FREQUAL-IZER builds a complex FIR (Finite Impulse Response) filter to your specifications. See the results of your EQ with the built-in spectrum analyzer. FREQUAL-IZER will not color your audio with the introduction of non-linear phase shift.
Meet Your Match

Ever wanted to make one track sound more like another? Need to bring together takes recorded in different spaces? FREQUAL-IZER's spectrum matching feature provides you with all this and more. Learn the frequency response of one audio source and apply it to another for technical adjustment or creative effect.)
All 50 States

Use FREQUAL-IZER's 50 States to store EQ's for instant recall or automation. Add, delete, copy, and move the EQ states you create or have FREQUAL-IZER intelligently "fill" empty states, morphing between selected EQ's. Working with States is a snap when you use the States Overview to visualize all 50 available states.
Features Galore

A comprehensive history and two workspaces allow you to easily compare and contrast different EQ's. Edit each channel individually or choose from four linking modes to designate how changes to one channel will affect the other. Scale, smooth, or sweep your entire EQ curve. Boost or cut your signal by +/- 18 dB. Customize the spectral display to only show what is of interest to you. Click here to see the Full Feature List!
FREQUAL-IZER brings creativity to linear phase equalization

FREQUAL-IZER-System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host

Roger.Nichols.Digital.InspectorXL.VST.RTAS.v1.2-AiR.rar

A new approach to Analysis, Six professional Meters

Inspector XL (IXL) was designed to fulfill a number of familiar analysis tasks with professionalism, style, and finesse. Available as a series of interactive modules, Inspector XL includes six individual, thoughtfully designed plug-ins for: FFT, Spectagram and Third Octave Spectral analysis, flexible level metering, plus phase and correlation, balance, stereo imaging, and statistical clipping with overload analysis. From top to bottom, Inspector XL provides a comprehensive, flexible, and easy-to-use approach.
"I wish I had better meters ... I wish I had better meters ..."

How many times have you wished for larger meters? Change the color of your meters? More flexible meters? Or more standard meters than those available in your host DAW? Inspector XL's meters answer all of these needs and more. Amazingly configurable, infinitely usable meters you should not be without. Horizontal and vertical layout with customizable color, range, ballistics, zero reference, and so on. And still supporting standard level meter formats including K-System and IEC Digital PPM. Inspector XL has got you covered with professional meters you can use anywhere and everywhere.
Choices, choices, and more choices

If you like choices and who doesn't?, Inspector XL offers you plenty. Each module provides a range of color and configuration choices. Use the integrated, easy-to-use color picker to customize the color of your spectral analysis, phase scope or level meter data. Select from FFT, Spectagram, or ISO Third Octave spectral analysis to match your needs. Display all spectral data you need to see: Peak, Peak Hold, Average (or any combination) and choose the default Third Octave analysis data type. View phase in traditional XY or Vector modes or utilize RNDigital's intuitive Polar mode - each individually configurable, of course. Use standard meters if you want or stretch out and customize your Dow integrated or separate peak/RMS; customizable caution and warning zones; plus selectable primary meter type (peak/RMS) are just a few of the available options.
But, wait - there's more

Inspector XL isn't just a pretty face, it was designed with the features you need to make everyday use a joy. Save and Load function means you can save task-specific settings for future reference. Inspector XL's innovative "Import" function allows you to extract color settings, saved spectral snapshots and other selected data from a settings file without over-writing all of your current parameters. And if you're familiar with RND's concept of alarms, you'll appreciate Inspector XL's approach. Extensive alarm functions include warnings for correlation and max band level to over and clipping statistics. Inspector XL even allows you to define a clip in your own terms for statistical analysis relevant to your sessions. Alarm groups and alarm severities let you further customize alarm behavior. Inspector XL has so much to offer...

Click here to see the Full Feature List!
Professional, flexible, fully customizable, easy-to-use. What more could you want from an analyzer?

INSPECTOR XL-System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host

Roger.Nichols.Digital.SPL-ICER.VST.RTAS.v1.01-AiR.rar

Multiband Processing with Singleband Plug-ins?

You know about signal processing: EQ, compression, distortion, reverb . . . and it’s a beautiful thing. But multiband signal processing, which divides a signal into different frequency bands and applies processing to each band individually, takes the concept to the next level.

Probably the most common example is multiband compression, which typically splits a signal into three to five bands. This is used a lot with drums and program material (e.g., a mixed stereo signal), because single-band compression has limitations. For example, with drums, suppose you feed the drums through a compressor and there’s a strong kick hit. That causes compression to occur, and it affects the high-frequency sounds as well, such as hi-hats. With multiband compression, you could put drastic compression on the low-frequency kick drum, while adding only a slight amount of compression (or none) to other frequency ranges. When used with program material, multiband compression gives a less ”squashed,” more transparent sound.

Other Uses

Because a keyboard covers such a wide frequency range, you might want to process one frequency range differently. For example, suppose you've loaded a cool imitation-Rhodes preset, and you want the lower notes to "bark" more than the upper notes. Apply multiband distortion, and apply subtle amounts of distortion only to the lower frequencies - say, below 200Hz. Now those lower keys will have a gritty character, while the others sound normal.

Vocals are often split into high and low frequencies, then delay is added only to the higher frequencies. Thus the sibilant-rich sounds have echo, while the lower notes do not. If there's a fairly dense instrumental background, this technique avoids muddying up the midrange - the vocal echoes "float" over the other sounds.

So how do you use your favourite processing or sound tool in a mutliband environment?

The SPL-IZER is an adjustable 3 band 24db per octave FIR (Finite Impulse Response) frequency splitter that allows the three bands to be isolated and routed to aux or instrument tracks for separate processing.

The use of FIR filters ensures that no phase shifting occurs at the frequency split points. With this tool, one can use for example ones favorite single band compressor (let's say uhm.. Dynam-izer) and make it 3 band.

There is of course a myriad of potential uses. One use we found was to use the Spl-izer in front of the reverb auxes. No reverb on the low end, the original reverb on the mid section and the same reverb but with reduced decay on the high end. Acoustic rhythm guitar track run through the Spl-izer: low end muted, mid section straight through and a short echo/ chorus only on the high end.

Features

* Spl-izer features user adjustable frequency split point and audio levels.
* The low to mid split point can be set from 80Hz to 1475 Hz.
* The mid to high split point from 80Hz to 16kHz.
* The user can choose between using Hanning or Blackman windows.
* The various level meters feature RNDigital's proprietary +8db input meter
with peak and RMS level indicators.
* The direct output of the plug-in can be switched between Mute, Sum, Low Band,
Mid Band and High Band for instant monitoring.
* The three bands created by the the splitter each have their own level meter
and adjustable gain.
* The plug-in makes these signals available to your DAW as individual busses.

The Spl-izer created buss signals ( SPL-IZER LOW, SPL-IZER MID and SPL-IZER HI) can then be insterted as input on any other track for further processing. A large Band level meter indicates both the crossover points and the audio level of each band.

SPL-IZER-System Requiremements
Pentium 3 or similar processor Digital Audio Software that can run Audio Plug-ins in RTAS (Pro Tools 7.x is required) or VST format. Windows XP or Windows Vista.

Roger.Nichols.Digital.UNIQUEL-IZER.VST.RTAS.v1.2-AiR.rar

A new approach to Equalization, Build the EQ you Need on the Fly
Go on, be the boss

Why work within the confines of an EQ configuration of someone else's choosing? UNIQUEL-IZER lets you determine your ideal EQ. If you ever need more bands or filters, they're just a click away. No need to swap out for another EQ or use another insert slot. UNIQUEL-IZER lets you be the boss.
Variety is the key

From standard to specialty filters, the unprecedented selection lets you be the master of your EQ. Use the 4 and 8 harmonic parametrics to remove A/C line noise (i.e. hum) or use the steep notch to remove unwanted tones. With 11 filter types available, there's a filter for every occasion.
Get Ready to Flex

Activate or inactivate filters on the fly or solo an individual filter to hear only its effect. Two workspaces allow you to compare EQ's to zero in on the ideal settings for your mix. Boost or cut your signal by +/- 24 dB. Zoom in on the filter graph for editing precision. Save your EQ's with integrated Save and Load. Import previously saved filters into your current EQ session.
Click here to see the Full Feature List!
Version 1.2 Updates

* Roger Nichols Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.
* Dynam-izer now comes in two flavors. The brushed aluminum look, was updated with orange buttons, sliders and arrows to improve the visibility of important control points. An "elemental blue" color scheme is now also available. This choice was not only made available to satisfy customers preferences in color schemes, but when running several instances of Frequal-izer it can help to better distinguish which one belongs to which track.
* The root frequency of the harmonics filters can now be adjusted in .1 Hz increments. Since A/C noise disturbances are not always at exactly 50 or 60 Hz.

UNIQUEL-IZER-System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host

Roger Nichols Digital Pack VST RTAS-AiR
http://www.megaupload.com/?d=JYM0VZ7Q
password: audiopirate.blogspot.com

Manuals......
http://www.megaupload.com/?d=O84Q3UYO
password: audiopirate.blogspot.com

Logic Studio 8 and Updates

2008-07-22T00:01:00.001+07:00

Logic Studio 8
re-up and updates

The Logic Studio 8 install file (7.2Gb) only holds the apps -logic 8, mainstage etc. No content (i.e. jampacks)
So choose to do a custum install, and skip the Logic content.
Find it at:
http://rapidshare.com/files/96734078/logic_txt.rar
password: audiopirate.blogspot.com

Register with one of these:
Retail E-339-GTJ-398-WSD-406-TFF-506-JZM-T4A-XDCX
Not For Resale E-351-DRR-024-VDV-349-TYR-415-VST-MWN-XDDX
Academic E-349-MVK-329-NPU-191-LHF-075-QUR-8BC-XDFX
Volume License E-349-MPO-473-NNA-140-ETN-111-RLY-1BP-WXCX

Get the updates to 8.01 here:
http://rapidshare.com/files/78969520/logiupdate.part1.rar
http://rapidshare.com/files/78974266/logiupdate.part2.rar
http://rapidshare.com/files/78977903/logiupdate.part3.rar
http://rapidshare.com/files/78978643/logiupdate.part4.rar
this pack has the updates for:
Logic Pro 8.0, Soundtrack Pro 2.0, Mainstage 1.0, Waveburner 1.5, Compressor 3.0, Impulse Response Utility 1.0 and Apple Loop Utility 2.0.
pw = logical
thnx to the original uploader.

If you prefer to update with Apple for version 8.01:
After install you will be asked to provide a new serial:
E-329-VLV-025-VCH-257-HDR-415-QIK-MGR-WXCX

Logic Content Links (jam packs etc)
thanks to Bishy Bosh & Morz
http://rapidshare.com/files/96734060/LogiContent_Links.rar
password: audiopirate.blogspot.com
NOTE: some of this stuff has already been deleted

Waves SSL 4000 VST DX (PC)

2008-07-22T00:00:00.001+07:00

Developed under license from Solid State Logic, The Waves SSL 4000 Collection includes three

meticulously modeled plug-ins based on the legendary SSL 4000 Series

SSL 4000 Series: the SSL E-Channel, the SSL G-Master

Buss Compressor, and the SSL G-Equalizer.

These plug-ins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference.

http://rapidshare.com/files/99897805/waves_ssl_4000.rar
password: audiopirate.blogspot.com

Waves Diamond Bundle v5.2 H2O

2008-07-21T23:58:00.002+07:00

----- VST/DirectX/RTAS/ Plugin: Waves Diamond Bundle v5.2. - TEAM H2O -----

The most complete line of audio processors ever offered. Includes the
renowned Gold and Masters processor bundles plus four Renaissance
processors for a total of 27 awesome tools.

A package including next packages: Waves Platinum, Restoration & Transform.

* 35 processors for total creativity and processing tour-de-force under one hood
* Tools for EVERY application: tracking, mixing, mastering, sound design, audio restoration, creative
* Choice of processing style: transparent, surgical, analog, vintage - every processing flavor you can wish for
* Cost Effective: Pay less than Platinum + Restoration + Transform ; Have all the tools you need exactly when you need them.
* Years of Research & Design excellence: doesn't your audio deserve the best?
* WaveShell: means support for all popular plug-in formats and audio editors - TDM, RTAS, AudioSuite, VST, DirectX, MAS, Audio Units.

Included PlugIns:

L3 Ultramaximizer™

C4 Multiband Parametric Processor

L2 Ultramaximizer Doppler

UltraPitch L1 Ultramaximizer

Maxx Bass

Linear Phase Multiband

Linear Phase Equalizer

MetaFlanger

True Verb Room Emulator

Q10 Paragraphic Equalizer

S1 Stereo Imager

Renaissance Channel

Renaissance Equalizer

Renaissance DeEsser

C1 Parametric Compander

Audio Track

PS22 Stereo Maker (TDM only)

Renaissance Compressor

Renaissance Reverberator

PsychoAcoustic Analyzer

Renaissance Bass

Enigma

MondoMod

Super Tap

DeEsser

Renaissance Vox

Waves Diamond Bundle v5.2 H2O
http://www.megaupload.com/?d=W2REQL54
password: audiopirate.blogspot.co

Steinberg WaveLab v5.00a build 221- H2O

2008-07-21T23:57:00.002+07:00

WaveLab 5 is the only all-in-one solution for high resolution stereo and multi-channel audio editing, mastering, CD/DVD burning and for complete CD or DVD Audio production in outstanding audio quality. WaveLab is not just a top level mastering tool, it also offers capabilities for multimedia, sound design with samplers, radio broadcasts, and computer telephony applications. This is why WaveLab is the leading application for digital audio editing.

Electronic Musician review Steinberg WaveLab 5.00a and emphasise its multimedia capabilities: “Among the most important new features are tools for DVD-Audio (DVD-A) authoring and production, an integrated video track, and track-based effects and level controls. Combined with the large number of professional-quality VST mastering and effects plug-ins, WaveLab 5 is a powerful media production environment.”

They are pleased that WaveLab 5 finally allows control of individual track levels, and also track-based effects. They give a lot of space to the new DVD-A authoring capabilities, as well as the new surround-sound functions.

I have always thought that support is very important for any complex program, and the review says that Steinberg have this covered. “WaveLab’s support is excellent — the comprehensive printed manual is more than 700 pages. … There is online support through the Help menu option in addition to context-sensitive help for many of the program’s features. There is also an active users forum, which is moderated by WaveLab’s principal developer, Philippe Goutier.”

Their final numerical rating across their categories is 17.5 out of a possible 20. If you are current user wondering whether to upgrade, they say you’ll make your decision based on whether you need the new DVD-A and multimedia features. For everyone else, “if you’re looking to move into a multitrack audio editor that supports many of the hottest new-media technologies available today, has a friendly interface, and can help manage not only your audio assets but also all of the files on your system, WaveLab is an excellent choice.”

http://rapidshare.com/files/99897800/wavelab5.rar
pass: audiopirate.blogspot.com

Sony Sound Forge 9.OD + Keygen and Patch

2008-07-21T23:53:00.002+07:00

The Sound Forge 9 professional digital audio production suite
includes everything you need to quickly get from raw audio to finished master.

Crack: Read NFO

When you update from an earlier (a, b or c) version you have to use the patch and the KG again

http://rapidshare.com/files/99897776/Sforge90d.rar
pass: audiopirate.blogspot.com

Dancehall FX Sample Packs

2008-07-21T23:52:00.001+07:00

128MB of Dancehall Reggae samples inc. lasers, lickshots, bleeps, vocals, and allsorts of FX to mash up a bloodclart sound!!!!

Dancehall FX Sample Packs
http://rapidshare.com/files/102550260/dancehallFXpacks.rar
password: audio pirate

Antares Autotune VST v5.09 - AiR

2008-07-21T23:50:00.001+07:00

Antares Autotune VST v5.09 - AiR
The Next Generation of the Worldwide Standard in Professional Pitch Correction.
The Fastest, Easiest-To-Use, Highest-Quality Tool for Correcting Pitch.
Hailed as a "holy grail of recording," by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. All with a user-interface that is a model of clarity, speed and ease-of-use.

For most common pitch problems, Auto-Tune 5's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style.

For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to draw in the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures.

Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune 5 is the tool of choice.

Prepare to be amazed.

Antares Autotune VST v5.09 - AiR
http://rapidshare.com/files/99897848/autotune_5.09.rar
password: audiopirate.blogspot.com

FL Studio 8 XXL 8.0.0-NoPE

2008-07-21T23:49:00.002+07:00

Image Line has released FL Studio 8, a complete music production environment.

Representing the culmination of more than 10 years of sustained development, FL Studio 8 is set to become the most flexible virtual music studio tool in the industry.

Chief Software Architect, Didier Dambrin has realized his vision of creating an open-architecture virtual studio environment where the only constraint on the users is their own imagination. This philosophy is reflected in FL Studio 8’s flexible audio and control data routing, free-form Playlist design and interoperability with industry standards (VST/VSTi/VST2, DXi, DXi2, Buzz, ReWire, MIDI, MP3, WAV, OGG). Didier notes ”We don't try to protect our data & come up with new formats only for marketing reasons. We use existing standards as much as possible, and allow FL Studio to be used as a plugin in other hosts“. In version 8, particular emphasis has been given to improved workflow through enhanced interface design, so that ideas can be crystallized and creativity captured.

What is FL8?

FL Studio is a fully featured, open-architecture music creation and production environment for PC. No extra software is required* to produce any style of music, as the complete set of instrument and studio tools is included in the cost of the package. With the included plugins, sounds and tools the user can create complete songs, as well as backing tracks, loops and sizzling beats. Completed songs can be saved to WAV, MP3 or MIDI or .ZIP or native project formats (.FLP).

Instruments

Make virtually any sound. FL8 includes 13 virtual synthesizers covering acoustic/synthetic bass, electric guitar and plucked string simulation, sampler tools including piano, general sample playback, and beat-slicing, and a range of synthesis techniques (subtractive, modelling, FM, granular and additive).

With its newest addition, FL Synthmaker - a fully modular environment, you can create & share your own FL instruments, effects & dashboards without the need to write basic code.

Audio Recording & Editing

Capture audio from a single vocalist right through to a full symphony orchestra. FL8 can record up to 64 simultaneous tracks of audio#. The Playlist workspace can contain an unlimited number of audio tracks and allows you to arrange discrete audio events in any order, and position the creative process dictates with complete flexibility. Audio tools allow the ability to time-stretch, pitch-shift, beat-slice, chop, edit and creatively destruct audio. FL8 has further enhanced its Edison Wave Editor, a fully integrated audio editing and recording tool with spectral analysis, convolution reverb, loop-recording and more…
FL Studio supports WAV, MP3 and OGG formats.

Sequencing

Record musical performances and ideas in the most logical way. FL8 functions as both a pattern and track based sequencer depending on user preferences. Tools include an unlimited track Step-sequencer, an industry-leading Piano Roll and Automation Clips. FL Studio supports MIDI and input from all standard Controllers.

FL8 is probably the fastest way from your brain to your speakers.

Arranging

Determine your own project design. In FL8, you decide how your project will be laid out. Unlike the competition, FL8's Playlist is a totally flexible and virtually unbounded space where Note Pattern, Audio and Automation data can be arranged, and edited to suit your creative ideas and workflow.

Mixing/Mastering

The most powerful mixer in its class. FL8 includes an industry-leading 64 stereo track mixer. Each track can include up to 8 effects and can also be routed to any of the other 64 tracks or one of 4 dedicated 'send' channels. The 44 included effects plugins span Maximizer, Limiter, Compression, Delay, Distortion, EQ, Filtering, Phasing, Flanging, Chorus, Vocoding and Reverb. These will take you from the creative broad-brush effects like reverb, through to the minutia of the mastering process with multiband compression/limiting and parametric EQ.

Key new features and changes

First of all, FL Studio 8 is everything which is included in FL Studio 7 plus many, many more.

Let's have a look at its key new features ...

	FL Synthmaker is a fully modular environment where you can create & share your own FL instruments, effects & dashboards without the need to write basic code.
	One-click-recording using the built-in Edison Wave Editor, a fully integrated audio editing and recording tool with spectral analysis, convolution reverb, loop-recording and more…:
	Slicex, the power horse drumloop slicer & re-arranging tool.
	Soundgooodizer is a stereo 'maximizer-enhancer' plugin based on the Maximus sound processing engine. Soundgoodizer is shiny it’s good!
	Included Fruity Limiter/Maximizer for maximizing & compressing final mixes or individual tracks
	FL Studio can permanently learn and remember links to external controllers with the new ‘multilink’ function + 'Override generic links' option.
	Wave Candy is a flexible audio analysis and visualization tool with Oscilloscope, Spectrum Analyser and Peak Meter.
	Sinc interpolation now faster (64point sinc now usable real-time depending on CPU)
	Rendering with latency compensation
	Score logger, records all MIDI & note activity for instant recall.
	Directwave Player, broaden your musical palette with downloadable sound banks and multi-sample sets.
	Recording filter, to select Audio, Automation or Note data recording independently or in any combination.
	New slip editing and resizing tool for Playlist clips
	Multi-core safe plugins are threaded for performance gain on multi-core CPUs.
	Introducing 'Selected mixer track' in Mixer, to which the selected mixer track is routed, and where to place visual effects or a recording Edison.
	FL8 now supports Track-based sequencing, Pattern Clips present sequence data as Audio and/or Automation Clips
	A 'News Panel', to keep users updated with content and patches.

RLS DATE...: 26/03/2008
PROTECTiON.: Not Enough
SiZE.......: 21x.5.00MB
SuPPLIER....: Your Sister

FL Studio 8 XXL 8.0.0-NoPE
http://www.megaupload.com/?d=G0NZGZLV
password: audiopirate.blogspot.com

FL Studio XXL Producer Edition 8.0.0+ FIXED-TRSh

2008-07-21T23:46:00.001+07:00

FL Studio XXL Producer Edition 8.0.0+ FIXED-TRSh

Another release of FL8, this is not the same as the others, this is the TRSh release cracked by BoOMBoX

From the nfo:

Why this release is named FL Studio XXL Producer Edition 8.0.0+(plus):
this release included full FLi: "Poizone 2.1.0" and "Toxic biohazard 1.0"
Why this release is named FIXED: fixed bug in FL SynthMaker (save disabled).

Rls Date: 15-04-2008
More Info at: www.flstudio.com

if you want the NoPE release we have it here

FL Studio XXL Producer Edition 8.0.0+ FIXED-TRSh
http://www.megaupload.com/?d=C46VQC2J
password: audiopirate.blogspot.com

Plugin Pirate

2008-07-21T23:12:00.000+07:00

Welcome to the Plugin Pirates library of goodies
Here you will find a whole archive of links to Audio Production Software, VST, DX, RTAS & AU instruments & Effects, as well as links to other useful software.